By John Garrett (auth.)
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Extra resources for British Poetry Since the Sixteenth Century: A Students’ Guide
This inconsistency, together with the uneven line-lengths, gives the poem a rather haphazard effect which reflects the uncertainty of its speaker Prufrock, a poet manque: 36 BRITISH POETRY SINCE THE SIXTEENTH CENTURY In the room the women come and go Talking of Michelangelo. The desultory activity of the room where the bourgeois matrons 'come and go' is contrasted with the intense creative energies of Michelangelo, a name synonymous with all that was magnificent about Renaissance art. The pairing of his name, through the rhyme, with the comings and goings of guests at a cocktail party suggests how everything these days has become debased.
The Canonization') Donne displays a distaste and impatience towards the artifices of Petrarchan convention. He writes poetry of the city rather than of an idealised Arcadian countryside.
Diction docs not have to be ornate or elaborate to be effective. A profusion of 'flowery' words can blur the intended meaning. Some of the deepest emotions are most effectively expressed in the plainest language, as Wordsworth was well aware: She lived unknown, and few could know When Lucy ceased to be; But she is in her grave, and, oh, The difference to me! ('She Dwelt Among the Untrodden Ways') The diction here is sim pie and un pretentious. No superfluous image is laid atop the bare 'grave'.